
Art
Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award.
For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andre…

Remembering Reno: Reflections on the Making of Desert Hearts

And the Oscar Goes To...
as Self - Interviewee

Casablanca: An Unlikely Classic
as Self

An Old Fashioned Love Story: Making 'The Bridges of Madison County'
as Self

Whatever You Desire: Making 'L.A. Confidential'
as Self
Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
as Self
The Making of 'Seabiscuit'
as Self

Catch Me If You Can: Behind the Camera
as Self

Blue Collar
as Woman with Bicycle (uncredited)