Thoughts

Trust Me

2020

Trust Me uses stories, facts and experts to explain how our lack of media literacy is hurting us and how the media is negatively affecting our perspective of the world. True stories of how mis-information can result in real problems are meant to provoke thought and action in viewers.

La face cachée de l'homme en noir

2025

You've seen him interview Mikhail Gorbachev, Angelina Jolie, Robbie Williams, Mariah Carey, Brad Pitt, Jane Fonda, Robert De Niro... You know him, but you don't really know him. Everyone has talked about Ardisson without ever getting close to the truth about him. My ambition: to reveal the man behind the costume of "The Man in Black." I thought to myself: if anyone can figure him out, it's me, a journalist and portraitist who has lived with him for 15 years. Who is the private Thierry behind the spectacular Ardisson? What we discover is how much Ardisson's personal history reflects the eras he has lived through, their contradictions, their utopias, their excesses, their violence. Like so many facets of a man and of society at the turn of the century.

Red Dwarf: All Change - Series III

2003

A documentary about the third series of Red Dwarf (1989).

The Yes Men

2003

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Ces chansons de nos vacances

2022

Arena - John Cassavetes

1989

Tribute to actor and director John Cassavetes who died in February 1989. Friends, associates and fellow directors remember the man and his work.

The Making of '8 Mile'

2003

Director Curtis Hanson and star Eminem talk about their ideas and views on the film 8 Mile (2002).

Power and Paranoia of the Third Reich

2018

Rue du Conservatoire

2024

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.