

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.
Secretary
The runtime is 70 minutes (1h 10m).
The film was directed by Scott B.
The screenplay was written by Beth B and Scott B.
This title is listed on IMDb as tt0163352.

1984
Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

N/A
Two aimless psychics develop a strange relationship as they come to terms with having been groomed for espionage as children in the Gifted and Talented Education program.
1984
A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat

1986
A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.

2004
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

1985
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

1981
In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

1996
Complete strangers meet in a room to act out their sexual desires.

1981
Great
1 votes
The Trap Door
Released
N/A
United States of America