The Social Network

Eisenberg was probably born for this role. The story is well threaded and you don't get bored until the end. A decent movie.

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Here we go with the fourth review of a David Fincher's film this week, in preparation for the upcoming Mank, directed by the same person who delivered phenomenal movies like Se7en, Fight Club, Zodiac, and more. Now, it's time for The Social Network, which premise can be summed up in "the story behind the creation of Facebook". Ten years have passed since its release, and the real Mark Zuckerberg already stated that most of the film is based on fictional events and conversations. Truth is, this movie was never marketed as a true story, but yes as an adaptation of Ben Mezrich's 2009 book The Accidental Billionaires. It's a film like any other, not a detailed account of whatever happened in real life. With that said, this is easily one of the best adapted screenplays of all-time. Aaron Sorkin, the man behind one of the best movies of 2020 (The Trial of the Chicago 7), demonstrates his incredibly talented writing skills in The Social Network, proving that he's one of the most meticulous writers working today. If you've been reading my previous reviews, there's a couple of compliments

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/no-new-friends-the-social-network-review<a> Perhaps no other website has altered the course of the 21st century like Facebook. Its launch in 2004 forever changed the way society talks about social media and connects with friends and strangers, and became the lightning rod of a multitude of controversies. Conspiracy theories, political propaganda, and mass surveillance became the norm. All of it a far cry from the basic “hot or not” site Facebook sprang from. The Social Network takes the audience back to that fateful night at Harvard when a primitive version of Facebook was born in the dorm room of Mark Zuckerberg (Jesse Eisenberg) and Eduardo Saverin (Andrew Garfield). Director David Fincher and writer Aaron Sorkin are a dream team in this film. Sorkin’s signature quick dialogue is a perfect match for the pace of this movie. It gives Zuckerberg a smarminess that is easy for the audience to rally against, as though creating a website that objectifies women simply because his girlfriend dumped him isn’t enough to cause immediate dislike.