Snowpiercer

Original IP Post-Apocalyptia as well as the 21st century can possibly dish it out. Final rating:★★★★ - Very strong appeal. A personal favourite.

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Snowpiercer is getting a TV adaptation soon, so now it's the best moment to rewatch one of the best movies in 2014. At the time, Bong Joon-ho wasn't exactly a famous director that everyone knew about. Therefore, the cast led by Captain America himself, Chris Evans, and the intriguing premise did all the work in creating the cult following it got. Ironically, I haven't watched this film since its release, so this is only my second time boarding its train. I'm going to start with the best thing that this movie possesses: its screenplay. This is one of the most shocking films I've seen when it comes to delivering jaw-dropping twists, one after the other, exclusively through dialogue. As it would become a staple in Bong Joon-ho's filmography, his writing is so incredibly complex and multi-layered that it's truly a miracle that his movies end up making any sense. Snowpiercer (which is co-written by Kelly Masterson) has literally dozens of logical questions that any other film would not only fail to explain, they wouldn't even try to. With any other screenwriters, this movie would feel

I was really quite disappointed in this. It’s set aboard a non-stop train that travels the world once a year and that is compartmentalised into sections that equate to classes on an ocean liner. It’s the arrival of “Gilliam” (John Hurt) that inspires “Curtis” (Chris Evans) to try to lead the abused occupants of the prison carriage to greater things further up the train. Now the doors are hermetically sealed and only opened for the rather menacing minister “Mason” (Tilda Swinton) to address the unworthy and so it’s this opportunity that starts their rebellion. The first twenty minutes are actually quite decent as they try to break out of their squalor, but once they start to make progress this just assumes all the traits of a video game. As they make advances their weaponry improves, their skills improve, their oppressors employ tactics that wouldn’t challenge an eight year old and the thing builds with obvious predictability to a conclusion that offers us plenty of action en-route but very little jeopardy. Trains usually work well as the conduit for an adventure film, but this just uses each carriage as another level with more tangible rewards accumulated as they move along. Swinto