
Mysterious cinematographic events unfold in a very neat little space, like a theatre. A ball gets bigger and bigger and then suddenly disappears: there’s a dog a good head or two taller than a child; a young woman miniscule one second is huge the next… We don’t get it, but just enjoy taking part in a phantasmagorical experience like an audience in the early days of cinema, with filmmakers that have made an illusion out of this art.
The film was directed by Anita Thacher.
The score was composed by Michael Reisman.
Cinematography was handled by Robert Achs.
This title is listed on IMDb as tt13842422.

2000
Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.

2019
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

1971
Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema

1994
A stop-motion animation made against a vertical pin screen describes a pedestrian, yet powerful pontification by No Nothing Cinema co-founder Dean Snider.
2013
Video installation showing the film "A Clockwork Orange", reduced to its colour.

2016
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
1901
Special effects film with a train double exposed on the negative, creating a ghostly image.

2024
A story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.

1973
The Prince of Denmark, Hamlet, is little interested in family affairs and the fate of the kingdom, and not at all attracted by a doll-like Ophelia sucking his finger. Annoyed by his friend Horatio, who tells him of the apparition of his father's spectre that would like to drive him to revenge, and by Polonius, Ophelia's father, who psychoanalyses him by explaining the Oedipus complex, he imagines escaping to Paris with Kate, the leading actress of the company performing in Elsinore, to become a playwright.
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Loose Corner
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United States of America