Brent Marchant
Sep 13, 2026
An old saying maintains “Never put the cart before the horse,” an observation whose implications should be obvious. That applies in filmmaking, too: When a standalone production is thought to be the inspiration for a new franchise, the creators need to be careful not to get ahead of themselves. That’s to say that the first film in the proposed series absolutely must be a knock-out to earn the right to a sequel (or sequels) (“Star Trek” notwithstanding). But, if those behind the initial effort are so focused on what lies down the road in a potential franchise that they don’t get the first release right, it’s the equivalent of shooting themselves in the foot. And that is precisely what undermines this latest release from writer-director Na Hing-jin. In essence, this sci-fi action-adventure follows the improbable, occasionally strangely madcap attempts by a small town South Korean police force and others to hunt down a mysterious monster that’s wreaking all manner of havoc in their community and the surrounding environment. The problem, though, is that little is explained as the story unfolds, with an array of tropes that seem unconscionably thrown together – virtually no back story,

























