"Groper Train" pink film distributed by Shintoho.
The original title is "痴漢おさわり電車" (JA).
The runtime is 62 minutes (1h 2m).
The film was directed by Akira Fukamachi.
The screenplay was written by Keiichi Abe.
The score was composed by Takashi Akutagawa.
Cinematography was handled by Yōichi Shiga.
This title is listed on IMDb as tt7481386.

1990
The company president loves molesting women on trains. He ends up secretly creating a molestation room in the company, with two hanging straps hanging from the ceiling and a sound system that plays the rumbling sound of trains with a realistic quality. He gives a special allowance to two office ladies who are financially struggling among the employees, and makes them secretaries for the molestation room. Eventually, the two of them conspire to come up with a plan to make the president take his breath away and get out of this life...

1990
Pink film distributed by Xces / Nikkatsu.

1990
A high school couple. The girl's parents are currently working overseas, so she lives alone in her parents' house. She and her boyfriend are in love and having sex all the time. Her boyfriend is working hard at his part-time job to buy her a present for her birthday, but when she says she wants to go on a trip, he needs to save up more money, so he ends up going along with a fraudulent investment plan, and ends up in a lot of debt...

1990
Pink film distributed by Xces / Nikkatsu.

1990
Pink film distributed by Xces.

1990
Pink film distributed by Xces.

1986
The fourth in the "Honban" series, focusing on the current trend of young ladies, mixing the formal aspects of the front (tea, flowers, horseback riding, etc.) with the honest aspects of the behind the scenes. It is a "making of a young lady" movie that depicts the attempt to create a young lady.

1976
It was a tumultuous time. In the early Meiji period, there was the first photographer in Japan who lived a heroic life. What fascinated him with photography was a photograph of a naked woman.

1989
Pink film distributed by Xces / Nikkatsu.
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