

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Nicolás Pereda
Nicolás Pereda

Hombre con peluca / Narrador
Mujer en cuarto de hotel / Mujer con peluca

Hombre a quien le roban la motocicleta
Hombre que maneja camioneta roja

Mujer que atiende en el bar

Hijo del dueño de la mina / Ladrón de motocicleta
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Flora
Released
Español